Balcomb Greene
NY: American Federation of Arts, 1961. Softcover. Black and blue cardstock covers, 38 bw plates. Published to accompany a retrospective exhibition Chronology, exhibitions, bibliography, listing of 38 works exhibited. More
NY: American Federation of Arts, 1961. Softcover. Black and blue cardstock covers, 38 bw plates. Published to accompany a retrospective exhibition Chronology, exhibitions, bibliography, listing of 38 works exhibited. More
NY: American Federation of Arts, 1961. Paperback. Small blue/black-illustrated wraps. 28 pp text + 38 bw plates. Published to accompany a retrospective exhibition Chronology, exhibitions, bibliography, listing of 38 works exhibited. More
Seattle: Henry Art Gallery, 1990. Softbound. Glossy color pictorial wraps, 192 pp, several hundred color and BW photos. From Library Journal: For Bruce the "myth of the west" has two major aspects: the "lone individual" who becomes a hero and "the landscape . . . the stage set upon which..... More
New York: Terry Dintenfass Gallery, 1991. Softbound. white wraps, (8) pp, 5 color plates. A small brochure published for the opening of this gallery, September 12 - October 10, 1991. More
New York: James Graham & Sons Gallery, 2009. Softcover. Color pictorial wraps, 32 pp, 13 color and bw plates. More
College Park, Maryland: Art Gallery, University of Maryland, 1999. Softcover. White wraps with BW illustrated cover, 47 pp, 27 BW photographs. Published with the exhibition February 4 - April 17, 1999, at the Art Gallery at the University of Maryland. More
Toronto, Canada: Textile Museum of Canada, 2001. Softbound. Red wraps, 32 pp, 8 color plates, additional BW images. From the website: The second of three exhibitions that form the series 100% Natural, the 2001 exhibition Comfort Zones: textiles in the Canadian landscape presents a wide-ranging collection of textile icons of..... More
Fullerton, CA: The Main Art Gallery - Visual Arts Center, 1987. Softcover. White ill. wraps. 48 pp. Numerous bw plates. February 7 to March 8, 1987. More
Paris, France: Malingue, 2003. Hardcover. Yellow cloth boards with white stamped illustration on front cover, white lettering, 184 pp. Profuse color plates. Text in English and French. Comprised of descriptively annotated plates. Contains the essay, "Max Ernst: a Private World View," by Evan M. Maurer. Published for an exhibition held..... More
New York, New York: Hollis Taggart Galleries. Softcover. Color illustrated wraps with french flaps, 40 pp, 21 large color images. Published in conjunction with the exhibition, April 24 through March 17, 2008. Works on paper and on canvas. More
Tucson, Arizona: Tucson Museum of Art, 2010. Softbound. Burgundy wraps with color image and french flaps, 56 pp, 19 color images. Catalogue for an exhibition, October 9, 2010 - January 9, 2011. From the Tucson Museum of Art website: To create her uncanny photo-composites, Judy Miller first photographs figures from..... More
Lexington, Virginia: Washington and Lee University, 1977. Softbound. Black pictorial wraps, 47pp, 19 BW plates. Exhibition catalog; each plate is annotated and includes a brief history. More
New York / Washington, DC: Callaway Editions in association with the Phillips Collection, 1992. Softcover. White wraps. 143 pp. 30 color, 70+ bw plates. This volume attempts to address the artists' intimate and creative life as a married couple and as lovers by presenting the purely visual, artisitic evidence of..... More
NY: Acanthus Books, 1988. Limited Edition of 520 copies. Hardcover. Navy cloth/boards, gilt spine lettering; unpaginated. 4 BW illustrations. From the foreword: As a collector of paintings and sculpture, La Live de Jully's desire to assemble a collection of works by contemporary French painters amounted to nothing less than the..... More
NY: American Federation of Arts, 1961. Hardcover. Black boards, 2 color dust jacket, 38 bw plates. Published to accompany a retrospective exhibition Chronology, exhibitions, bibliography, listing of 38 works exhibited. More
New York, New York: Harry N. Abrams and the Institute for Contemporary Art, 1992. Hardcover. Black cloth, blue dust jacket with color illustration. 199 pp. 194 illustrations, including 43 color plates. Large and heavy. Includes an essay, "The Rightness and Wrongness of Modernism," by McEvilley and an interview with Oppenheim..... More
New York: The Museum of Modern Art, 1986. Hardbound. Black cloth on boards with red embossed lettering on front cover and spine. Pictorial dust jacket in BW with red lettering. 184 pp, 118 bw plates. Published on the occasion of an exhibition at the Museum of Modern Art, New York..... More
New York: Gary Snyder ProjectSpace, 2007. Softbound. White with blued/black/red pictorial stapled wraps; 26 pp; Seven color plates, one of them a gatefold. Essay by Sarah K. Rich, "Thomas Downing's Dots." Published on the occasion of an exhibition held October 4-December 1, 2007. More
Tucson, Arizona: Tucson Museum of Art, 2009. Hardbound. Pictorial boards, 208 pp, profuse full-page color plates. A catalogue for the exhibit February 28 - June 28, 2009, showing the works of 47 artists. More
New York, New York: Monacelli Press, 1999. Hardbound. Gray cloth boards, gray dust jacket with color illustration. 287 pp. Profuse illustrations, some color. From the jacket: The book presents an extensively illustrated collection of essays from an international group of scholars that explores not only all phases of Mendelsohn's architectural..... More
New York: Leon Amiel, 1980. Hardbound. Color illiustrated dust jacket, tan boards; 65 plates in color, 112 reproductions in black and white, with a lithograph from an original work by Dali. More
New York, NY: D. Wigmore Fine Art, Inc., 2010. Softbound. Color pictorial wraps, 39 pp, richly illustrated with full-page color images. An exhibition featuring William and Lucy L’Engle, American Modernists and disciples of Cubism. The couple’s history as artists in Paris, New York, and Provincetown provides a unique chance to..... More