New York: The Noonday Press, Inc., 1956. Hardcover. Octavo. Hardcover. Bound in green cloth with mustard illustrated jacket. 100 pages 22 cm. The bound man -- The opened order -- The advertisement -- The private tutor -- Angel in the night -- Story in a mirror -- Moon story --..... More
London: Secker & Warburg, 1957. Hardcover. Octavo. Hardcover. Red cloth boards in red/white/black illustrated jacket. 324 pages ; 23 cm. Raymond Aron's 1955 masterpiece The Opium of the Intellectuals, is one of the great works of twentieth- century political reflection. Aron shows how noble ideas can slide into the tyranny..... More
New York: Cassell & Company, 1889. Hardcover. Three-quarters brown paper boards with brown or white cloth spine; gilt letters on spine & front cover; 434 pp. 1 BW plate as frontispiece, a few additional BW plates in text. Excerpts from the diary of Ukrainian-born Russian artist Marie Bashkirtseff (1858-1884). More
Washington, DC: Central Asian Collectanea, 1960. Softcover. Small Quarto. Softcover. Plain paper wraps with black titles. 16 pages. 26 cm. More
New York: Harper Torchbooks / Harper & Row, Publishers, 1968. Softcover. Octavo. Softcover. Grey paper wraps with black/teal titles. xx, 364 pages ; 21 cm. The concept of the existential a priori -- Systematic explanation and the science of psychoanalysis -- The symbol in psychoanalysis and Daseinsanalyse -- The unconscious..... More
New York: D. Appleton and Company, 1903. Hardcover. Olive green cloth, gilt letters on spine, stamped cover, 145 pp., BW plate as frontispiece. Includes the translated text of 89 letters. With an introduction by Walter Littlefield. More
New York: D. Appleton & Company, 1859. Hardcover. Turquoise stamped cloth, gilt letters on spine and cover, gilt design on cover, 154 pp., no illus. Translated from the original French, published in Brussels in 1839, by James A. Dorr. More
Meudon, France: Alain et Francoise Chaffin, 1984. Hardcover. Quarto. Hardcover. Bound in tan cloth with illustrated jacket. 271 pages : illustrations (some color) ; 28 cm English and French text. More
London: Cassell Company, 1886. Hardcover. Blue stamped cloth with black & brown decoration, gilt letters on spine and front cover, gilt top edges, 384 pp., many BW illus. "An elementary text-book, designed for pupils in schools and colleges, and for amateurs in the study of art." (preface) Approaches the subject..... More
London: Routledge & Kegan Paul LTD, 1950. Hardcover. Octavo. Hardcover. Green cloth boards with gilt titles on spine. xvii, 251 pages ; 22 cm. More
Paris: Flammarion, 2004. Hardcover. Deep rose cloth and 3/4 decorated boards, figured flyleaves, 137 full-color pp. Text is in German. A translated version of de Borchgrave's "Venetian Sketchbook." Examples of the Belgian artist's work are interspersed with her own remarks, very much in sketchbook fashion. Interesting not only for the..... More
London / Philadelphia: Grant Richards Ltd. / J.B. Lippincott Company, 1912. Hardcover. Quarto. Hardcover. Top edge gilt. Bound in blue cloth with navy stamped titles front and gilt on spine. 256 pages frontispiece, 39 plates 26 cm. More
London: Putnam, 1958. Hardcover. Octavo. Hardcover. Bound in black cloth. 216 pages illustrations 23 cm. With a technical chapter by Knut Eckener. More
NY: Rizzoli, 2002. Hardcover. Navy cloth with stamped lettering, color pictorial dust jacket. 239 pp. Profusely illustrated with color plates. "Filippo Pedrocco, a Venetian art specialist, offers a concise explanation of the complex nexus of socio-political and economic factors which gave rise to view painting. His sound art historical account..... More
New York: Hubbell, 1916. Hardcover. Red textured boards with gilt text on the front cover. Beautiful end pages: red and gilt marbeling. Color-illustrated frontispiece. The pages have deckled edges. viii, 202 pages; contains 16 unnumbered leaves of color plates. More
New York: Hodder & Stoughton, circa 1909. Dulac, Edward. Hardcover. A blue casebound book with gilt text on the spine. Beautiful gilted embossing on the front cover. The pages have deckled edges. Color-illustrated end pages. Unpaginated, but contains 110 quatrains. Color illustrations protected by rice paper. More
Alexandria, Minnesota: Park Region Publishing Company, 1963. Softcover. Octavo. Softcover. Illustrated wraps. [12], 127 pages : illustrations ; 22 cm. More
London: The Argonaut Press, 1929. Hardcover. Half-japon vellum casebound book with a white spine and a yellow cover with a small red and gilt design. Gilt text on the spine. The page edges are deckled. lx, 381 pages; color frontspiece; foldout map. Hand-numbered 395 of 1050 copies made of Japon..... More
New Haven, CT: Yale University Press, 1959. First Printing. Hardcover. Octavo. Hardcover. Bound in brown cloth with b&w illustraed jacket. xi, 214 pages ; 22 cm. The fundamental question of metaphysics -- On the grammar and etymology of the word "being" -- The grammar of the word "being" (Sein) --..... More
New York: Charles Scribner's Sons, 1897. 2nd ed. Hardcover. Maroon cloth, gilt letters on spine, gilt top edge, stamped script on top covers, 2 vols., 352, 368 pp. "New edition revised, and furnished with an index, by W. Ashton Ellis." Vol. 1: 1841-1853. Vol. 2: 1854-1861. Tandem letters between Richard..... More
Oxford: Oxford at the Clarendon Press, 1948. Hardcover. Octavo. Hardcover. Green cloth binding in plain paper jacket with black titles. vi, 259 pages 23 cm. The theology of the Greek thinkers -- The theology of the Milesian naturalists -- Xenophanes' Doctrine of God -- The so-called Orphic Theogonies -- Origin..... More
London: Hutchinson, 1958. Hardcover. Octavo. Hardcover. Red cloth binding in red jacket with white titles. 200 pages : illustrations ; 22 cm. More
Norfolk, CT: New Directions, 1947. Hardcover. Twelvemo. Hardcover. Blue cloth binding in illustrated jacket. v, 120 pages ; 20 cm. More
