Annandale-on-Hudson, NY: Edith C. Blum Art Institute, Milton and Sally Avery Center for the Arts, Bard College Center, 1983. First edition, limited to 2,000 copies. Softbound. Offwhite wraps, illustrated, 120 pp., many plates in black and white. Illustrated endpapers. An exhibition catalogue. More
Munchen: Kurt Wolff Verlag, 1921. Hardcover. Off-white paper over boards with red lettering and color illustration, orange cloth spine with black lettering; 134 pp, bw illustrations, mounted color illustrations. Text is in German. Bookplate inside front cover belonged to Merle Armitage, author, theater producer and set designer. Four color plates..... More
London: Phoenix House LTD, 1956. Hardcover. Small quarto. Hardcover. Bound in green cloth with gilt titles on spine. Missing jacket. 68 pages 33 plates (some color), portrait 26 cm. More
London: Faber and Faber, 1954. Fourth impression. Hardcover. Blue illus. cloth over boards; 55 pp.; Profusely illus. in bw. Includes an introduction by Herbert Read; Klee's treatise on modern art that he prepared for the opening of an exhibition at the Museum in Jena in 1924. More
New York: Solomon R. Guggenheim Foundation, 1967. First edition of 5,000 copies. Softcover. Blue & white illustrated wraps. 143 pp. profusely illustrated in bw and color. Two-pages of remarks by Thomas M. Messer, introduction by Felix Klee (translated), five-page essay by Will Grohmann, chronology, catalogue of 181 works, interspersed with..... More
Genève (Geneva), Switzerland: Galerie D. Benador, 1959. Softcover. Card wraps with bw images; 23 pp. with 10 bw images. Number 41/500. Text in French, including two brief essays by Klee. Names of works also in English. More
New York: Curt Valentin, 1944. Catalogue only. Paperback. Blue stapled wraps with black lettering; xiv pp.; no illustrations. This is the CATALOGUE ONLY, meant to accompany a portfolio of 72 plates of the same title. More
Potsdam/Berlin: Muller & I. Kiepenheuer, 1934. Paperback. Tan wraps with black lettering and illustration; richly illustrated. Text in German. 70 b&w plates. More
Paris: Berggruen & Cie, 1955. Paperback. Color illustrated wraps with black lettering; unpaginated, illustrated throughout in bw and color. Text in French. Introductory poem by Jacques Prevert. With a facsimile of the letter is from Paul Klee to Paul Eluard. More
London: Faber and Faber Limited, 1952. Hardcover. Quarto. Hardcover. Red cloth boards. Missing jacket. 156 pages : illustrations (some color), portrait ; 28 cm. "A Lee Ault edition. Prepared and produced by Chanticleer Press, New York"--Title page verso./ Includes bibliographical references (pages 151-156) and "Index to bibliography." More
Paris: Berggruen & Cie, 1953. Softcover. Skinny octavo. Softcover. Illustrated wraps in glassine jacket. 8 unnumbered pages illustrations, 15 plates (some color) 22 cm. Text in French, German and English. More
Paris: Berggruen & Cie, 1955. Paperback. Color illustrated wraps with black lettering; unpaginated, illustrated throughout in bw and color. Text in French. Introductory poem by Jacques Prevert. With a facsimile of the letter is from Paul Klee to Paul Eluard. More
Paris: Berggruen & Cie, 1955. Softcover. Skinny Octavo. Softcover. Color lithograph wraps done by Mourlot, phototype and stencil done by Jacomet. 24 unnumbered pages, [1] folded : chiefly illustrations ; 22 cm. More
London: Faber and Faber, 1948. Hardcover. Small Square Quarto. Hardcover. Purple boards with red titles in grey/red titled jacket. 55 pages : illustrations ; 22 x 23 cm. More
Greenwich, CT/ Milano: New York Graphic Society, 1957. Hardcover. Oversized tan canvas portfolio boards; 12 pp booklet, 10 color plates, framed. Text is in French. Choice and Introduction by Georg Schmidt. Plates include: Sous une étoile noire. 1918 -- Jardin en terrasses. 1920 -- Jardin aride et froid. 1921 --..... More
Stuttgart: Hatje, 1991. Hardcover. Pale gray cloth boards with black lettering on front cover and spine, white dust jacket with bw illustration, black lettering, mylar cover, 263 pp, profusely illustrated in bw. Text in German. Foreword, introduction, glossary, and abbreviations are in German and English. List of works from 1940..... More
New York: Curt Valentin, 1950. Pamphlet. Light gray stapled wraps with red lettering; 16 unnumbered pages; bw illustrations. "Eloge de Paul Klee was published in Fontaine (Paris) 1946 and Le Plaisir de Peindre, La Diane Française (Paris) 1950 and has now been translated by Walter Pach." Printed in edition of..... More
New York: New Art Center Gallery, 1960. Softcover. Tall white, stapled wraps with bw line drawing and red lettering. [24] with 2 tissue guards and 33 bw plates. Note: photo is of a previous copy. Catalogue from the exhibition held January 18 to February 20, 1960. With an introductory essay..... More
London: Marlborough Fine Art Limited, 1966. Softcover. White & illus. wraps. 45 pp. 33 bw and color plates. Issued in conjunction with a 1966 exhibition of work by German-Danish painter Emil Nolde (1867-1956). With an introduction from Paul Klee, and quotes from the artist throughout the book. The exhibition checklist..... More
Basel: Schwabe, 1956. Hardcover. Glossy black boards, yellow cloth spine with black lettering; white dust jacket with black lettering and color illustration on front cover; 31, 542 pp; profusely illustrated in bw. Issued in original cardboard slipcase. Text is in German. Paul Klee: The Pictorial Thinking: Writings on Form and..... More
New York: Harry N. Abrams, 1960. Hardcover. Black and white illustrated boards; 176 pp; bw illustrations and a mounted bw frontispiece. Includes a list of the reproductions in the text and a list of the plates. More
Milano: Archinto, 2005. Softbound. Green wraps. 152 pp., [8], no illustrations. Text is in Italian. More
Ostfildern/ Houston: Hatje Cantz/ Menil Collection, 2006. Hardcover. Black cloth boards with gilt lettering, black dust jacket, color illustrated with white lettering, 315 pp, profusely illustrated throughout in color and bw. Exploring the reasons for Paul Klee's enthusiastic reception in the United States, especially during the 1930s and 40s, this..... More
Greenwich, CT/ Milano: New York Graphic Society, 1957. Hardcover. Oversized tan canvas portfolio boards; 12 pp booklet, 6 color plates, framed. Text is in French. Choice and Introduction by Georg Schmidt. Plates include: Jardin aride et froid. 1921 -- Ville ancienne avec pont. 1928 -- Portail du jardin M. 1932..... More
New York: The Solomon R. Guggenheim Museum, 1967. Second printing of 2,000 copies, added to first printing of 5,000. Softbound. Blue printed wraps. 143 pp. 33 color, 152+ bw plates. Two-pages of remarks by Thomas M. Messer, lenders to the exhibitions, Introduction by Felix Klee (translated), five-page essay by Will..... More
