Theories of Modern Art: A Source Book by Artists and Critics
Los Angeles, Calif. University of California Press, 1968. Softbound. Color wraps. 664 pp. Numerous bw plates. More
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Results 1 - 17 (of 17)
The Hand and the Spirit: Religious Art in America, 1700-1900
Berkeley: University Art Museum, 1972. Softcover. White & color illus. wraps. 192 pp. 11 color, 122 bw plates. Issued in conjunction with a series of 1972-1973 exhibitions. Introduction by John Dillenberger. Essay (The Hand and The Spirit) by Joshua Taylor, catalogue essays, biographical information and descriptions by Jane Dillenberger. Index..... More
Academy: The Academic Tradition in American Art -- An Exhibition Organized on the Occasion of the One Hundred and Fiftieth Anniversary of the National Academy of Design, 1825-1975
Washington, DC: National Collection of Fine Arts / Smithsonian Institution Press, 1975. Softcover. Quarto. Softcover. Blue paper wraps. 271 pp. 1 color, 180 bw plates. Exhibition organized by Louis Marie Fink and Joshua C. Taylor in celebration of the 150th anniversary of the National Academy of Design. Essays include: The..... More
America as Art
New York: Harper & Row, Icon Ed. 1976. Softcover. Wraps. xi, 323 pp. Numerous bw repros. Issued as a complement to a like-named Bicentennial exhibition held at the National Gallery in Washington. A good, detailed overview. Importantly, many of the works in this exhibition had not been previously exxhibited, or..... More
The Graphic Work of Umberto Boccioni
New York: The Museum of Modern Art, New York, 1961. Softcover. tan wraps w/ cover illustration & gold printing. approx 65 pgs w/ 317 bw illustrations. Some brief annotations made to the illustrations (notes on cross-references mostly). More
Jacob Kainen
Washington, DC: Lunn Gallery, 1978. Softcover. Pale color illustrated stapled wraps. Unpaginated (12 pp.). 3 color plates. Brief introduction and illustrations. Published to accompany an exhibition held at Lunn Gallery, Washington, D.C.: May 20 to July 7, 1978. Catalogue lists 15 works. More
Learning To Look: A Handbook for the Visual Arts
Chicago, Illinois: University of Chicago Press, 1981. Second. Softcover. Blue and white illus. wraps; 173 pp.; 2 color plates; 42 bw figures. Discusses ways of viewing art, of really "seeing"it, including sections on color, perspective, technique, and more; This second edition includes issues specific to twentieth-century art. More
William Page: The American Titian
Chicago, IL: University of Chicago Press, 1957. Hardcover. Beige cloth. xxiii, 293, 20 pp. 58 bw repros. Catalogue raisonne lists 216 works. 20 pages of plates follow text. Extensive index and bibliography. Scarce. More
Pennsylvania Academy Moderns, 1910-1940
Washington: National Collection of Fine Arts / Smithsonian Institution Press, 1975. Softcover. Spring green paper stapled wraps. 39 pp. 2 color, 41 bw illustrations. Issued in conjunction with several 1975 exhibitions of artwork by painters who "were all associated with the Pennsylvania Academy of the Fine Arts as students, and..... More
Brazilian Baroque: Decorative and Religious Objects of the Seventeenth and Eighteenth Century, from the Museum of Sacred Art of São Paulo, Brazil
Washington, DC: Renwick Gallery, 1972. Softcover. Color wraps. Unpaginated. Numerous bw & color plates. Published for an exhibition held Dec. 22, 1972 to Feb. 25, 1973. More
East and West: Painting | Poems by Sheila Isham
Washington, DC: Smithsonian Institution Press, 1981. Softcover. Beige wraps. [40] pp. 5 color, 17 bw plates. Includes an interview with the artist. More
Perceptions and Evocations: The Art of Elihu Vedder
Washington, DC: National Collection of Fine Arts, 1979. Softbound. Black and white illustrated wraps, 246 pp. 308 bw repros and illus. Essays by Joshua Taylor, Jane Dillinberger and Richard Murray. Extensively illustrated text. Published on the occasion of an exhibition at the National Collection of Fine Arts, Smithsonian Institution, Washington..... More
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Directory to The Bicentennial Inventory of American Paintings Executed Before 1914
New York: Arno press, 1976. Hardcover. Blue cloth. 211 pp. Looking for someone in particular? Chances are very good that they are listed in this book if they painted within the specified time period. An invaluable reference tool. Also lists collections and includes an extensive bibliography. More
To See Is To Think: Looking At American Art
Washington, DC: Smithsonian Institution Press, 1975. Hardcover. Tan cloth. 117 pp. 6 color, 88 bw repros. More
The Fine Arts in America
Chicago, Ill. University of Chicago Press, 1979. Hardcover. Blue cloth. xvi, 264 pp. more than 250 bw repros. Part of the Chicago History of American Civilization series. Lengthy chronology listing major events in US art history. More
Nineteenth-Century Theories of Art
Berkeley, Los Angeles: University of California Press, 1987. Hardbound. Black Cloth with glossy illustrated dustjacket. Classicism, Romanticism, Realism, etc. (Taylor grouped the letters, essays, and lectures into six more general categories, each a response to new artistic freedoms beginning in the last years of the 18th century. . .... More
The W. Hawkins Ferry Collection: The Detroit Institute of Arts, 1966
Detroit, MI: Detroit Institute of Arts, 1966. Softcover. Taupe wraps. [68] pp. 13 color, numerous bw plates. More
Results 1 - 17 (of 17)