New York: Otto Naumann, [2013?]. Softcover. Black & color illus. stapled wraps, 16 pp., color illus. The focus lies on this one specific painting rendered by Italian landscape painter Bernardo Bellotto (1721-1780). With plenty of textual insights about the artist and his work, as well as close-up views of the..... More
New Haven and London: Yale University Press, 2006. Paperback. Color-illustrated wraps with brown and white lettering. xii, 159 pp. Color illustrations. "BEST IN SHOW brings us some of the finest images of man's best friend by distinguished artist. It is a serious show, to be sure, but it is diffiuclt..... More
Cambridge, MA: Harvard University Art Museums, 1990. Softcover. Pictorial wraps. 392 pp. 66 color, 850 bw plates. This is the first complete and accurate inventory of the collection to be published since 1919. The collection is distinguished by exceptional groups of early Italian and nineteenth-century British and French paintings. Gorgeous..... More
Cambridge, MA: Harvard University Art Museums, 1990. Softcover. Pictorial wraps. 392 pp. 66 color, 850 bw plates. This is the first complete and accurate inventory of the collection to be published since 1919. The collection is distinguished by exceptional groups of early Italian and nineteenth-century British and French paintings. Gorgeous..... More
New Haven: Yale University Press, 2007. Hardcover. Cream cloth/boards; gilt lettering. Color-illustrated dj with ivory lettering on maroon spine. x, 230 pp. with color and duotone images throughout. Published in conjunction with the exhibitions held in Houston and London between October 2007 and May 2008. Divided into 5 chapters, each..... More
New York / Oxford: New York University Press / Phaidon, 1985. First. Hardcover. Quarto. Hardcover. Red cloth. 416 pp. 431 plates and figures, 16 color, 415 bw. Extremely in-depth tome detailing the life and works of Pompeo Batoni; Catalogue divided into the following categories: Autograph Paintings, Untraced Paintings, Doubtful and..... More
New Haven: Yale University Press / MFA Houston, 2001. Hardbound. White cloth with black lettering; light blue pictorial dj with black lettering; 281 pp. with 93 color plates and additional bw figures. Text in English; from the exhibition held at the Museum of Fine Arts, Houston; the Italian version was..... More
Cambridge, MA: Harvard University Art Museums, 1990. Hardcover. Red cloth/red pictorial DJ. 392 pp. 66 color, 850 bw plates. This is the first complete and accurate inventory of the collection to be published since 1919. The collection is distinguished by exceptional groups of early Italian and nineteenth-century British and French..... More
New York: Colnaghi, 1982. Softcover. Light green & color illus. wraps. 55 pp. 30 bw plates. Issued in conjunction with an exhibition featuring artwork by Italian painter Pompeo Batoni. With an illustrated essay by Edgar Peters Bowron. The illustrated and annotated catalogue addresses 22 paintings. Includes a list of collections..... More
Chapel Hill, NC: University of North Carolina Press, 1992. 1992 revised. Softcover. Color wraps. xvi, 295 pp. 32 color, 199 bw plates. Originally published on the occasion of the opening of the Museum's new building, this catalogue showcases about 300 works from their collection of more than 6000 works from..... More
Chapel Hill, NC: University of North Carolina Press, 1984. Softcover. Color wraps. xvi, 295 pp. 31 color, 199 bw plates. Originally published on the occasion of the opening of the Museum's new building, this catalogue showcases about 300 works from their collection of more than 6000 works from all parts..... More
New York: Oxford University Press, 1998. Softbound. Black wraps. 346 pp. 73+ mostly color plates. Recently (1998) exhibited at the Phoenix Art Museum were approximately too of the most important and best-preserved examples of paintings on copper from collections in the United States, Europe, and South America, along with displays..... More
New York: Oxford University Press, 1998. Hardcover. Black cloth. 346 pp. 73+ mostly color plates. Recently (1998) exhibited at the Phoenix Art Museum were approximately too of the most important and best-preserved examples of paintings on copper from collections in the United States, Europe, and South America, along with displays..... More
London: Merrell with Philadelphia Museum of Art, 2000. Hardcover. Green cloth over boards; Color illus. dj.; 628 pp.; 444 duotone figures. Heavy at 7 pounds and will require extra postage. Accompanied the exhibition titled "The Splendor of 18th-Century Rome," which appeared at the Philadelphia Museum of Art and The Museum..... More
Philadelphia: Philadelphia Museum of Art, 2000. Softcover. Color pictorial wraps; 628 pp.; 444 duotone figures. Accompanied the exhibition titled "The Splendor of 18th-Century Rome," which appeared at the Philadelphia Museum of Art and The Museum of Fine Arts, Houston in 2000, and featured architecture, decorative arts, sculpture, paintings, drawings, and..... More
Philadelphia, PA: Philadelphia Museum of Art, 2000. Hardcover. Green cloth boards with gold gilt lettering on spine, green and color illustrated dust jacket with white lettering, 628 pp., mostly color illustrations. "Caught between the theatricality of the Baroque and the acute sensibility of Romanticism, art in Rome in the eighteenth..... More
New York: Nicholas Hall, 2023. Hardcover. Octavo. Hardcover. Bound in glossy red paper with uninked stamped titles. 359 pages : illustrations, facsimiles ; 23 cm. "Nicholas Hall is delighted to present 'The Hub of the World: Art in Eighteenth-Century Rome,' an exhibition organized in association with Galleria Carlo Orsi. Held..... More
