Item #184082 Painters and Politics in the People's Republic of China, 1949-1979. Julia France Andrews.
Painters and Politics in the People's Republic of China, 1949-1979
Painters and Politics in the People's Republic of China, 1949-1979
Painters and Politics in the People's Republic of China, 1949-1979
Painters and Politics in the People's Republic of China, 1949-1979
Painters and Politics in the People's Republic of China, 1949-1979
Painters and Politics in the People's Republic of China, 1949-1979

Painters and Politics in the People's Republic of China, 1949-1979

Berkeley: University of California Press, 1994. Hardcover. Mylar covered, illustrated dj; green cloth covers. xv, 568 pages, 12 unnumbered pages of plates : illustrations (some color). VG/G+, ex-library. DJ has some tearing at spine, label on spine. Stamp on ffep, back flyleaf has pocket. Stamps on text block. Pages clean and tight. Item #184082
ISBN: 9780520079816

Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists - these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore. Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting. This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia. Publisher's description. Contents: Revolutionaries and academics: art of the Republican period -- The return of Chinese art, 1949-1952 -- From popularization to specialization -- The politicization of Guohua -- The Great Leap forward and its aftermath: "more, faster, better, cheaper" -- The Cultural Revolution -- The transition to "artistic democracy," 1976-1979 -- Appendixes. National Arts Administration, 1949 ; National Arts Administration, 1960 ; National Arts Administration, 1979 ; Oil painters in the Soviet manner.

OCLC: 29182224

Price: $750.00

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