Item #158128 The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting. James Cahill.
The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting
The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting
The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting
The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting
The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting
The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting

The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting

Cambridge, Massachusetts and London, England: Harvard University Press, 1982. Hardcover. Cream cloth, with color illus. laid on front cover. 250 pp.; Profusely illustrated with mostly bw plates, a few in color. G+ (Ex-art library, with bookplates and marks on outermost pages; moderate soiling to cream covers; label remnant on outer spine; interior is clean.). Item #158128
ISBN: 0674152808

The Charles Eliot Norton lectures as delivered at Harvard University in 1979. Chapters: Chang Hung and the Limits of Representation ; Tung Chi'i-ch'ang and the Sanction of the Past ; Wu Pin, Influences from Europe, and the Northern Sung Revival ; Ch'en Hung-shou: Portraits of Real People and Others ; Hung-jen and Kung Hsien: Nature Transfigured ; Wang Yuan-ch'i and Tao-chi: The Culmination of Method and No-Method. Highly illustrated.

OCLC: 7552107

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