Brian Wall: Lyrical Steel
1995. Softcover. Wraps. 30 pp. 8 color, 11 bw plates. Includes a selected bibliography and professional information. Nice plates. More
1995. Softcover. Wraps. 30 pp. 8 color, 11 bw plates. Includes a selected bibliography and professional information. Nice plates. More
1991. Softcover. Purple wraps. 79 pp. 47 color plates. Includes a long introduction by William H. Gerdts, the essay "Impressionism: The American Response" with 9 notes and short bibliography by Daphne Anderson Deeds, the lovely color plates, and an exhibition checklist of the 46 works. More
1994. Softcover. Wraps. 53 pp. 6 color, 44 bw plates. Introductory essay by Jeffrey Hogrefe. Listing of the 49 plates at rear, followed by three pages of professional information. The pictures in this exhibit all deal with the human figure in motion. Large plates. More
2000. Softcover. Pictorial stapled wraps. Unpaginated. Numerous color plates. Brief statements by Don Gray, Gerard Haggerty and Judy Johnson. More
1982. Softcover. Blue wraps. 23 pp. 14 bw plates. Lists 79 works by 79 artists. Lists the award winners. More
1970. Softcover. White wraps. 102 pp. 100+ bw plates. Exhibition catalogue. Includes an index of provincial and London silversmiths, as well as numerous illustrations. Edited by Ross E. Taggert. More
1984. Softcover. Red wraps. (24) pp. 20 bw plates. Lists 90 works by 86 artists. Lists the award winners. More
1986. Softcover. Green wraps. (24) pp. 19 bw plates. Lists 95 works by 73 artists. Lists the award winners. More
1981. Softcover. Blue stapled wraps. [4] pp. 3 bw ills. More
1963. Softcover. Wraps. 35 pp. 6 color, 40 bw plates. Catalogue represents a general overview of the exhibition and the explorers behind the pictures. Includes some early drawings by Native American artists. More
1971. Softcover. Wraps. 80 pp. 1 color, 103 bw plates. Catalogue lists 282 works (paintings, sculpture, drawings). Introductory essay and glimpse into what the world was like during the 1930s. This exhibition served as the 40th anniversary exhibition for the Joslyn Art Museum. More
Softcover. Brown ill. wraps. vi, 94 pp. 23 color ills., 62 bw ills. Text by James Ballinger. Exhibit addresses Remington's artistic and personal interpretation of the southwest. The catalogue provides biographical information on Remington in addition to highlighting his sketches and paintings. More
1978. Softcover. Brown ill. wraps. 64 pp. several bw ills., 30 color plates. Includes artist statement and introductory essay by exhibition curator Thomas H. Garver. Artist chronology, biography and selected bibliography also included. More
Softcover. Illustrated wraps. 16 pp. 12 bw plates. Comprised of plates with very brief introductory quote excerpted from Suarez Miranda's "Travels of Praiseworthy Men" More
1992. Tri-fold sheet. 6 panels pp. 2 bw, 3 color plates. Lengthy essay by Barbara Rose. Checklist of 28 works. One of a series of exhibitions called "The Solo Exhibitions" More
1994. Tri-fold sheet. 3 panels pp. 3 bw, 5 color plates. Extensive essay with the artist conducted by George W. Neubert. Catalogue listing of 18 works, one page of biographical information. More
2003. Hardcover. Black cloth, black ill. DJ. 96 pp. Numerous color plates. More
1993. Tri-fold sheet. 3 panels pp. 3 bw, 6 color plates. Two page essay on these two Nebraska artists by Daphne Anderson Deeds. Biographical paragraph on each artist. Nice color illustrations. More
1991. Tri-fold sheet. 3 panels pp. 2 color, 3 bw plates. Lengthy essay by Daphne Anderson Deeds. This was the first exhibition focusing on this artist's assemblages. She is more widely known for her prints. Catalogue lists 25 works. One of the Sheldon Solo series of exhibitions. More
1990. Tri-fold sheet. 3 panels pp. 3 color, 5 bw plates. Three page essay by Christin J. Mamiya. One page of professional information, catalogue lists 16 works. More
1990. Tri-fold sheet. 3 panels pp. 2 color, 4 bw plates. One of the SOLO series of exhibitions. Lengthy essay by Daphne A. Deeds. Biographical and professional information. Not returnable. More
1980. Softcover. Black wraps. [40] pp. 9 color, 16 bw plates. Foreword by Norman Geske, Introduction by the artist. Catalogue lists 48 works. More
1991. Softbound. Purple wraps. 79 pp. 47 color plates. Includes a long introduction by William H. Gerdts, the essay "Impressionism: The American Response" with 9 notes and short bibliography by Daphne Anderson Deeds, the lovely color plates, and an exhibition checklist of the 46 works. More
1985. Softcover. White wraps. 46 pp. 1 bw, 14 color plates. More
1951. White bi-fold. [3] pp. No illus. Ephemeral and not returnable. More