The Rabinowitz Collection
1961. Softcover. White ill. wraps. 55 pp. Numerous bw plates. Comprised of introduction and annotated plates. More
1961. Softcover. White ill. wraps. 55 pp. Numerous bw plates. Comprised of introduction and annotated plates. More
1965. Softcover. Green illus. wraps. 80 pp. Numerous bw plates. More
1976. Softcover. Wraps. 320 pp. 44 color, 280 bw repros. Includes paintings, drawings, watercolors, prints, furniture, silver and gold, textiles, pewter, brass, glass and ceramics. More
New Haven, CT: Yale University Art Gallery, 1976. very limited edition. Hardbound. Blue leather with gilt border, t.e.g., contained in a custom clamshell box with matching blue leather spine and oatmeal cloth. 320 pp. 44 color, 280 bw repros. A presentation with lengthy calligraphic inscription to a major benefactor of..... More
New Haven, CT: Yale University Art Gallery, 1976. limited edition of 200 copies. Hardbound. 1/2 Rust leather with cloth covers, contained in a custom clamshell box with matching rust leather spine and matching cloth. 320 pp. 44 color, 280 bw repros. A beautiful book. Includes paintings, drawings, watercolors, prints, furniture..... More
1968. Softcover. Navy wraps. [166] pp. 144 bw plates. This exhibition is drawn from the collections of Yale alumni with the 1913 Armory Show as the terminal date and limited to painting, sculpture watercolors and drawings. Introduction by Jules D. Prown followed by the captioned plates (one per page), an..... More
1974. Softcover. Black wraps. 48 pp. 26 bw plates. Each of the seven artists (William Bailey, Philip Pearlstein, Sylvia Mangold, Duane Hanson, Stephen Posen, Paul Wiesenfeld, Janet Fish) is given a biographical and philosophical essay, and the date of their first group or individual exhibition is given. In-depth essays. More
Softcover. White ill. stapled wraps. Unpaginated. Profuse bw plates. Introductory essay, and sculpture from the Ivory Coast, Sierra Leone, Liberia, French Guinea, French Sudan, Nigeria, Gold Coast, Gabun, Cameroons, Congo, and other regions. More
1977. Softcover. Black wraps. 95 pp. 110 bw plates. Includes a preface, foreword, and introduction with 13 notes by Gerald Ward. The catalogue of 129 works (furniture, art, decorative arts) is divided into misattributions, alterations and adaptations, restorations, fakes, revivals, reproductions, and questionables, with each section having extensive annotation and..... More
1987. Softcover. Color wraps. 355 pp. Bw plates. More
2003. Softcover. Blue wraps. 48 pp. Numerous bw and color plates. More
New Haven, Connecticut: The Gallery, 1984. Paperback. White wraps with color illustration and black lettering; 97 pp.; richly illustrated. Created on the occasion of an exhibition held at Yale University Art Gallery, April 4th through June 10th, 1984. More
New Haven, Conn. Yale University Press, 2011. Robert Adams. Softcover. White wraps. Unpaginated. BW plates. Photographs from The Journey of Trees, The Light of Spring, and The Path Home. More
1954. Softcover. Light tan ill. stapled wraps. Unpaginated. 39 bw plates. Exhibition of sculpture from Syrian and Indian regions from the early A. D. time period. More
1959. Softcover. White ill. wraps. Unpaginated. Several bw ills. More
1976. Hardbound. Tan cloth. 320 pp. 44 color, 280 bw repros. Includes paintings, drawings, watercolors, prints, furniture, silver and gold, textiles, pewter, brass, glass and ceramics. More
1992. Softcover. Greyish tan wraps. 253 pp. Numerous bw & color plates. Six lengthy essays: "Eva Hesse: Diaries and Notebooks" by Helen A. Cooper, "Getting to 'Ick': To Know What One Is Not" by Linda Norden, "The Wound and the Self: Eva Hesse's Breakthrough in Germany" by Maria Kreutzer, "Do..... More
1992. Hardbound. Grey dustjacket over brownish cloth. 253 pp. Numerous bw & color plates. Six lengthy essays: "Eva Hesse: Diaries and Notebooks" by Helen A. Cooper, "Getting to 'Ick': To Know What One Is Not" by Linda Norden, "The Wound and the Self: Eva Hesse's Breakthrough in Germany" by Maria..... More
1964. Softcover. Beige wraps. [30] pp. 16 bw plates. More
1975. Softcover. Color wraps. 132 pp. 7 color, 67 bw plates. Introduction by Theodore E. Stebbins, Jr.; catalogue of the exhibition of 60 works by 61 artists; bibliography; and annotated and illustrated catalogue entries. Includes 7 essays: "Arabesque [by Pollock]: Its History as an Object" with 29 notes by Susan..... More
1956. Softcover. White wraps. 48 pp. 2 color tipped, 53 bw plates. Catalogue by George Heard Hamilton; lengthy text covers the following periods (with appropriate plates throughout): Berlin, Essen, Munich; Weimar, Dessau, Berlin, 1920-1933; Black Mountain College, 1933-1948; and Yale University, 1950-on. Also includes a bibliography and an exhibition checklist..... More
2000. Softcover. White wraps. 95 pp. Numerous bw & color plates. Text by Susan B. Matheson and Derek D. Churchill. Includes a checklist of 97 works. More
Softcover. Pictorial wraps. xi, 300 pp. 253 bw and color plates. Organized by Susan Matheson. More
1960. Softcover. White wraps. Unpaginated. 26 bw plates. Catalogue by Sybil Marcuse. Annotated catalogue of 26 works accomanied by excellent illustrations and a two-page introduction. Includes a checklist of 60 instruments, representational art, books and manuscripts, loose and inserted inside front cover. More
1972. Softbound. Tan wraps. 66, [13] pp. 32 bw plates. This exhibition shows Rogers' office working in many different historic styles for Yale (especially the American Collegiate Gothic style) and their reliance on the principles of Beaux-Arts draftsmanship and planning. Includes a 3-page essay by Paul Goldberger, a 5-page essay..... More