Nathan Oliveira
New York: DC Moore Gallery, 2005. Softbound. Red illustrated wraps. 37 pp. 1 bw, 14 color plates. Published to accompany an exhibition at DC Moore Gallery in New York in March and April 2005. Large color plates. More
New York: DC Moore Gallery, 2005. Softbound. Red illustrated wraps. 37 pp. 1 bw, 14 color plates. Published to accompany an exhibition at DC Moore Gallery in New York in March and April 2005. Large color plates. More
New York: DC Moore Gallery, 2005. Softcover. Orange and red illus. wraps with white lettering; 37 pp. with 14 color plates. Includes an extensive essay by Ashton; with a several-page biography of the artist. More
Berkeley, CA: University of California Press, 1993. Wraps. 331 pp. 13 color, numerous bw plates. A pleasant reading and well-documented biography of this sculptor, whose works were radical and ahead of their time. Numerous bw plates illustrate major works. Bibliography. More
Boston: Institute of Contemporary Art, 1975. Softcover. Bronze stapled wraps with white lettering. Unpaginated. 24 pp. with 7 bw plates. Introductory essay by Ashton. Each artist featured with a professional bio and bw plate of one work. Catalogue list in back. From the exhibition of May-June 1975. More
Boston: Boston University, 1974. Softcover. White wraps. Unpaginated. Several bw plates. Essay by Dore Ashton. From the exhibition of March 15 to April 14, 1974. More
Geneva: Galerie Gerald Cramer, 1968. Softcover. Cream illus. wraps with grey and red lettering, French flaps, [12 pp.]; 1 color and 11 bw illustrations. Text is in French. From the exhibition held June-October 1968 at Galerie Gerald Cramer, Geneve. Includes 12 illustrations from Robert Rauschenberg's Inferno, plus commentary. More
San Francisco / Houston: Hine Editions / Houston Fine Art Press, 1986. Second printing. Softcover. Glossy white wraps with color image and black lettering. Deep French flaps. [46] with bw frontis photo of Diebenkorn and 14 color images. Preface by George Neubert; essay by Dore Ashton. Photo of Diebenkorn by..... More
New York: Hudson Hills Press, 1996. Hardcover. Olive green cloth boards with stamped lettering. Color-illustrated dust jacket with navy blue lettering. 108 pp. Color and BW illustations. From one of the most original voices in contemporary American art, more than 20 years of work culminating in grand, abstract ensembles of..... More
New York: Danese Gallery, 2000. Softbound. Light grey wraps with dark lettering. 39 pp. 23 color plates. Catalogue of an exhibition held October 27-November 25, 2000. Only 1,500 copies of this catalogue were printed. Essay by Dore Ashton. More
New York: Viking Press, 1976. Hardcover. White and black cloth boards with green, red and silver spine lettering. Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized..... More
Madrid / New York: Taller Ediciones JB / Grace Borgenicht Gallery, Inc., 1980? Hardcover. Black cloth over boards with silver lettering. Blue dust jacket with BW illustrations and gray lettering. Yellow endpapers. 254 pp. Over 216 illustrations, mostly in BW. Inscribed by artist on half-title page. Hundreds of nice illustrations..... More
Caracas: Durban Segnini Gallery. Softcover. Illus. glossy wraps with French flaps; 31 pp. with 5 color illustrations. With essays in English and Spanish, a catalogue of 23 works, a chronology, and a black-and-white photo of the artist. More
USA: Privately Published, 1982. 29/100 Hardbound; First Edition. Hardcover. Dutch blue cloth/boards; white lettering. 96 pp. with 28 color and bw plates and with bw illustrations within the text. Wrapped in parchment paper (rather than shrink wrap) - not an actual dust wrapper. "Breath" is the title Wilmarth gave to..... More
New Haven, Conn. Yale Center for British Art, 1988. Softbound. Color illustrated wraps. [32] pp. 12 illustrations, some color. A nice catalogue on this sculptor. Four-page essay by Ashton followed by large plates. Biographical notes, list of exhibitions, chronology, etc. More
Boston: Nielsen Gallery, 1991. Softcover. Color-illustrated covers; 28 pp. with 9 color plates;. Includes an interview conducted by Ardele Lister, a chronology and a list of plates. More
New York: Viking Press, 1981. Hardcover. Brown paper/boards; black cloth spine, navy DJ with color illustration. 206 pp. with 1 color, 73 bw plates. This is the first serious examination of Bonheur's work in over 70 years. In-depth essays, detailed chronology, bibliography. More
New York: Viking Press, 1981. Hardcover. Brown cloth with black cloth spine, navy DJ with color illustration. 206 pp. 1 color, 73 bw plates. This is the first serious examination of Bonheur's work in over 70 years. Lengthy essays, detailed chronology, bibliography. More
New York: George Wittenborn Inc., 1964. Hardbound. Sky blue cloth boards, white dust jacket with color illustration. 111 pp. 77 illus. in black and white, 6 in color. Includes bibliographical references (pages 110-111). More
New York: Rizzoli, 2008. Hardcover. Illustrated peach colored boards. 264 pages : illustrations (some color). Includes an interview with the artist by Lari Pittman./ Includes bibliographical references (pages 249-257) and index. More
David Findlay Jr Gallery, 2011. Softcover. White ill. stapled wraps. [16] pp. 11 color plates, inlcuding covers. More
University of California Press / Laguna Art Museum, 1996. Softbound. Illustrated glossy wraps. xxiii, 271 pp. Profusely illustrated in color, some bw. An examination of the Abstract Expressionist movement, which provides a clear picture of the artists and influences that came together in San Francisco. The book argues that the..... More
Charlotte, NC: Mint Museum, 1980. Softcover. Black and illustrated wraps. 136 pp. Numerous color and bw plates. Issued in conjunction with a 1980-1981 series of exhibitions of artwork rendered by African American artist Romare Bearden (1911-1988). With essays by Albert Murray (The Visual Equivalent of The Blues) and Dore Ashton..... More
Charlotte, NC: Mint Museum, 1980. Softcover. Black wraps. 136 pp. Numerous color and bw plates. Essays written by Albert Murray (The Visual Equivalent of The Blues) and Dore Ashton (Romare Beardon). Catalogue lists 56 works. Also includes a list of works done between 1970 and 1980 (compiled by Jane McKinnon)..... More
Washington, DC: The Phillips Collection, 1996. Softcover. Small, gray illustrated stapled wraps. [20] pp. 17 illustrations, some in color. Exhibition held June 4-October 6, 1996. Includes an essay by Eliza Rathbone. More